Alexander And The Terrible, Horrible, No Good, Very Bad Day

book and lyrics by JUDITH VIORST music by SHELLY MARKHAM “Alexander …” opened at the Kennedy Center in Washington DC in 1998 to rave reviews and played there for two…

Album art for Alexander And The Terrible, Horrible, No Good, Very Bad Day

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About Alexander And The Terrible, Horrible, No Good, Very Bad Day…

book and lyrics by JUDITH VIORST

music by SHELLY MARKHAM

“Alexander …” opened at the Kennedy Center in Washington DC in 1998 to rave reviews and played there for two holiday seasons, also touring as part of the Imagination Celebration Tour. Since then, multiple productions of this charming, funny show have popped up across the country. Music writer SHELLY MARKHAM gathered together some of his favorite singers – including Broadway Stars NANCY DUSSAULT and JASON GRAAE – and recorded this studio cast album, adding as bonus tracks three BRAND NEW SONGS written especially for this project.

This CD includes NANCY DUSSAULT’s remarkable recording of the song “The Sweetest of Nights and the Finest of Days”.Already a cabaret standard, the song receives here its definitive interpretaton as Nancy plays “Alexander’s” caring and concerned mother. Also featured is JASON GRAAE who sings – rather insincerely – “I Love Love Love My Brand-New Baby Sister”

Judith Viorst:
“Turning my Alexander picturebook into an hour-long musical was one of the great pleasures of my life. The whole process made me feel, as I kept telling everyone in dazzled disbelief, as if I were starring in a Judy Garland-Mickey Rooney movie called Let’s Put on a Show. The fact that this show had been commissioned by my hometown theater, the Kennedy Center, was already almost too good to be true. So was the ease of the collaboration process with my friend and composer Shelly Markham, my hero and director Nick Olcott, a terrifically talented cast of young actors, and all the other creative and competent people who helped make this musical happen. “Will I ever manage to discuss this glorious page-to-stage experience without gushing? I’m afraid not.
“Working my way line by line through my picturebook, I took scenes described in a single sentence and fleshed them out with dialogue and action, pausing at appropriate moments for one or more people to burst into a song that elaborated upon what was going on. Shelly Markham, working out of Los Angeles, started setting my lyrics to music, first playing and singing them to me on the telephone, then sending me tapes, and finally coming to D.C., where we virtually locked ourselves in a rehearsal room at the Kennedy Center until we had finished matching up words and music. Then came auditions, meetings with the set designer and costume designer (who gave the production the colors and look of illustrator Ray Cruz’s vibrant drawings), and rehearsals (I was there every day; I could not stay away), where I watched seven young men and women, playing multiple roles, become flesh-and-blood versions of my son Alexander, his brothers and friends, his teacher and dentist, the shoeman at the shoe store, and my husband and me. This was a truly weird, and truly thrilling thing to see. “And then came the show itself, with live audiences yelling to Alexander that he had gum in his hair; or sitting in worried silence when Alexander asked why his best friend was being so mean to him; or helping Alexander shout out, with a mighty roar, that this was “A terrible, horrible, no good, very bad day.” There was even, at the end of the show, some dancing in the aisles. You’d have to be a lot more blas? than I’ll ever be not to practically faint from the joy of it all. “As the show was performed, in Washington and then all over the country, we got many requests?not only for the Alexander book, but also for the music from our musical. So Shelly and I put together a CD, which includes?along with singers singing the songs from the show?three extra songs that we wrote together, plus a guide to how the Alexander songs fit into the Alexander story. (You can order the CD from Ducy Lee Recordings for $15 plus shipping and handling at www.ducylee.com). “I am very proud of our show and our songs, and so is my son Alexander who, I am pleased to report, seems to be having fewer and fewer terrible, horrible, no good, very bad days.”

Judith Viorst was born and raised in New Jersey and has lived in Washington, D.C., since her marriage to political writer Milton Viorst in 1960. They have three adult sons whose names are the same as those of the brothers in her play Alexander and the Terrible, Horrible, No Good, Very Bad Day. A graduate of Rutgers University and the Washington Psychoanalytic Institute, Viorst is the author of numerous books of poetry and prose for both children and adults. Among her 14 children’s books are two other Alexander stories and two collections of poems?If I Were in Charge of the World and Other Worries and Sad Underwear and Other Complications. Her 12 adult books include Necessary Losses, Imperfect Control, a comic novel, and six collections of poetry. Along with Alexander, Viorst has also collaborated with Shelly Markham on an adult musical, Love and Shrimp, which has been performed around the country, including the Pasadena Playhouse, the Canon Theater in Beverly Hills, and The Ballroom in New York City.

Track Listing

1 Overture
2 If I Were in Charge of the World
3 Lady, Lady
4 I Love, Love, Love My Brand-New Baby Sister
5 The Lizzie Pitofsky Song
6 Mother Doesn't Want a Dog
7 Australia
8 Shoes
9 The Sweetest of Nights and the Finest of Days
10 First Day of School
11 Wayne
12 Since Hanna Moved Away

Praise for Alexander And The Terrible, Horrible, No Good, Very Bad Day…

  • “Wayne Moore co-produced and sings on the limited edition Alexander and the Terrible, Horrible, No Good, Very Bad Day, a studio cast recording of songs from Shelley Markham and Judith Viorst’s musical based on the latter’s children’s book. Commissioned by the Kennedy Center and produced there in 1988, Alexander has been seen around the country in other venues since. It amusingly relates Alexander’s experiences during a day in which nothing goes right via the charming “If I Were In Charge Of The World,” “Mother Doesn’t Want A Dog,” “Australia” and others. For this recording, the cast includes Nancy Dussault (“The Sweetest of Nights and the Finest of Days”), Jason Graae (“I Love Love Love My Brand-New Baby Sister”), Moore, Betsy Ann Faiella, Mark Arthur Miller, John Pagano, Mona Lisa Young, and composer Markham (singing three bonus songs).”

    — SHOW MUSIC MAGAZINE

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Welcome to the wonderful world of DUCY LEE RECORDINGS. My name is WAYNE MOORE. I founded this company in order to record the songs of the NEW writers of music for the theater and for cabaret ... the Gershwins, Porters…