Posted at 5:12 pm by Peter

Anna’s debut CD features songs in four languages ranging in style from folk to Broadway to opera. Hailed as “Stunningly talented, with her gorgeous soprano voice.” (Applause! Applause!) and “Exquisite, compelling, insightful and unique.” (Cabaret Scenes), she is accompanied by Alex Rybeck on piano, Jered Egan on Bass and guest vocalist, Daytime TV star, Ron Raines.

Vintage Pop and the Jazz Sides

Posted at 6:28 pm by Peter

A World That Swings

Posted at 6:20 pm by Peter

Andrew Suvalsky’s, “A World That Swings” his second recording, September 2008 release; LML Music/Allegro Distribution) firmly establishes him as one of the strongest and most noteworthy presences in the world of up and coming male jazz vocalists. The recording, whose title is borrowed from one of the CD’s many swinging tracks, gives the artist a stage on which to show serious vocal prowess while swinging, scatting, or smoothly evoking the deepest essence of a ballad’s lyrics, and to share his infectious notion that a musical and swinging world is just the place we would all like to live in. From the first note sung, The listener will immediately be swept into his musical landscape.

Kurt Weill in America

Posted at 6:12 pm by Peter

Featuring a deluxe 48 page booklet with complete lyrics, dozens of colorphotos and in-depth liner notes, the CD celebrates German-born composer Kurt Weill and the lyrics of Maxwell Anderson, Ira Gershwin, Oscar Hammerstein, Langston Hughes, Alan Jay Lerner, Ogden Nash, Paul Green and Ann Ronell. It’s based upon the concert which opened the 92nd Street Y’s 36th annual “Lyrics and Lyricists” season in November 2005 and is conceived by Andrea Marcovicci. Musical Director Shelly Markham. It features Anna Bergman, Barbara Brussell, Mark Coffin, Chuck Cooper, Jeff Harnar and Maude Maggart.


Before Kurt Weill fled Nazi Germany for Paris in March 1933, he had composed a dozen works for the musical theater. Early on in his career, Weill said, “I need poetry to set my imagination in motion,” and he established a lifelong practice of collaborating with only the most talented lyricists. In Germany his two most famous partners were the playwrights Georg Kaiser and Bertolt Brecht. In America, he teamed up with great American lyricists and poets like Alan Jay Lerner, Ira Gershwin, Ogden Nash, Langston Hughes and Maxwell Anderson. This recording follows the musical life of Kurt Weill in America to explore the work of several influential American lyricists in the context of their work with this singular composer. Their collective output showed Weill himself adapting to his new country, absorbing influences from his American colleagues and enjoying the newfound artistic freedom that America offered.

Weill collaborated with giants of American song like Ira Gershwin, as in the Broadway operetta Firebrand of Florence (1944) and Lady in the Dark (1940). He wrote the rarely-performed 1948 Broadway vaudeville Love Life with Alan Jay Lerner, which features the same characteristic wit and whimsy as Lerner’s best-known work, My Fair Lady.

But Weill also worked with lyricists who were primarily playwrights and poets. Pulitzer-prize-winning North Carolina playwright Paul Green, who was known for his portrayal of Southern American folk life, was Weill’s first American collaborator; the project was Johnny Johnson (1936), the offbeat story of a peace-loving soldier in World War I. With playwright and lyricist Maxwell Anderson, Weill wrote Knickerbocker Holiday (1938), which starred Walter Huston in the Broadway production and featured the hit songs “It Never Was You” and “September Song.” Anderson and Weill also started work on a musical version of Huckleberry Finn, but Weill completed only five songs before his death in 1950. These songs were performed in public for the first time at the 92nd Street Y under the direction of L&L founder and Weill’s conductor, Maurice Levine, in 1952. The great American poet Langston Hughes wrote the lyrics for Weill’s 1947 opera Street Scene, which was based on Elmer Rice’s Pulitzer-Prize winning play of the same name. Another great American poet and journalist, Ogden Nash, collaborated with Weill to write lyrics to the 1943 Broadway hit, One Touch of Venus.


Andrea Marcovicci, the “Queen of Cabaret,” recently celebrated her twentieth anniversary at the Gardenia in Los Angeles, the Plush Room in San Francisco and the Oak Room of New York’s Algonquin. She returns to the Oak Room in May with just love… By Request. Andrea has created over twenty-five nightclub acts, performed at the White House, and played to sold-out houses at the esteemed LICEU Opera House in Barcelona. She enjoyed he same reception at her Carnegie Hall solo debut with the American Symphony Orchestra and most recently at Town Hall with I’ll Be Seeing You… Love Songs of WWII. As a director, Andrea conceived four programs for “Lyrics & Lyricists” including “Easy to Love: The Lyrics of Cole Porter”, “Kurt Weill in America”, “Thanks for the Memories: The Lyrics of Leo Robin”, and the upcoming look at standards penned post 1965.


Anna Bergman‘s most recent career highlights include Lincoln Center with Barbara Cook, Carnegie Hall (Ira At 100), Kennedy Center (A Little Night of Music), The White House, Aspen Music Festival (Street Scene) and Intiman Theatre (Adam Guettel & Friends). Barbara Brussell, a 1997 Back Stage Bistro Award winner and a six-time MAC Award finalist, has created over a dozen nightclub acts, soloed with symphony orchestras and recorded two CD’s for LML Music. Mark Coffin, who has performed internationally and throughout the states, has appeared in a tribute to Don Hewitt of “60 Minutes” performing Noel Coward, at the Yale Club, at Alice Tully Hall, the Ethical Cultural Center and Carnegie Hall. Chuck Cooper has been seen on Broadway in The Life, for which he received a Tony Award, Caroline Or Change, Lennon, Chicago, Passion and many more. He has also been guest lead on numerous TV shows like “Law and Order,” “Oz,” “NYPD Blue,” and “Cosby.” Jeff Harnar has performed at Carnegie Hall for both the Cole Porter and Noel Coward centennial galas, a solo concert at Weill Recital Hall and as Michael Feinstein’s special guest at Zankel Hall. Jeff tours nationally with Shauna Hicks in their symphony orchestra concert I Got Rhythm: Mickey & Judy’s Hollywood. Maude Maggart, the acclaimed concert and club artist who is a mainstay of the Algonquin Hotel’s Oak Room, was featured on NPR’s “Morning Edition” and Entertainment Weekly’s “Must List.” Her new CD Maude Maggart Live was praised by USA Today and Business Week.


The granddaddy of American songbook programs, Lyrics & Lyricists was launched in 1970 when Broadway conductor Maurice Levine and lyricist E.Y. “Yip” Harburg (The Wizard of Oz) took to the 92nd Street Y stage to discuss the then unusual topic of songwriting. Garnering praise and adulation from critics and audiences alike, the series explores the American Popular Song through the unique lens of the lyricist. Lyrics & Lyricists has hosted Betty Comden and Adolph Green, Johnny Mercer, Stephen Sondheim, Dorothy Fields, Alan Jay Lerner, Sheldon Harnick, Fred Ebb, Sammy Cahn, Stephen Schwartz, Tim Rice, Jerry Herman and many more. It has been one of the most popular and inventive series at the 92nd Street Y since its inception.

For more information:
Kurt Weill Foundation for Music at:
92nd Street Y at:

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