Posted at 8:46 am by Lee Lessack
Review by John Hoglund in CABARET SCENES
D.C. Anderson, a versatile, award-winning singer/songwriter, has a full-time career as a working actor with an impressive résumé including THE PHANTOM OF THE OPERA, MARTIN GUERRE, PIPPIN and work with the Guthrie and Steppenwolf Theater companies. He has received a Bistro Award for singer/songwriter, multiple MAC Award nominations for male vocalist and song of the year and has recently been co-starring in the Broadway-bound ANNE OF GREEN GABLES at Goodspeed Opera House in Connecticut.
Anderson is a highly skilled interpretive singer who is able to make every word seem as if he were singing it right to the listener in the most intimate way. Isn’t that what great singing is all about? On HOUSE CONCERT, he weaves together 11 tracks that possess an emotional depth that is both profound and sincere. This is especially so in a slowed down reading of the album’s first cut, a perfectly phrased “Some Enchanted Evening” (Rodgers & Hammerstein). On “I Wanna Know You” from ANNE OF GREEN GABLES, with lyrics by Matte O’Brien and music by Matt Vinson, his delivery is riveting: “I want to know everything that you are, everything that you’ve been, everything you’ll be.”
His tone is flawless on his original lyric for “There Ain’t No Devil” (music by Bryce Kulak). In this haunting beauty, he intelligently caresses words without frills: “there ain’t no devil; only what’s been forgot/myths don’t die, the heart won’t lie/the deepest wish of the broken dish is the pieces find each other – when the one who broke it is gone, long gone.” It’s powerful. His original (co-written with his sister Claudia Anderson)“Song for Artists” is a tribute to artists everywhere:“This is my song to artists of all nations/borne of your love and dreams for all mankind.” He wraps it all up with the serene beauty of “Bright Angel” by Susan Osborn; …pensive and wistful “take my remains where the wild river runs and scatter them there in the dry desert air where the bright angel falls.”HOUSE CONCERT repeatedly underscores D.C. Anderson as an adept interpreter of the human heart, making it worthy of wide exposure.
Posted at 8:36 am by Lee Lessack
Find a quiet corner of your home.
Make a nest.
Listen through this album.
Experience love: anticipated, discovered, aligned, feared, challenged, accepted, denied, renewed, trusted. accepted.
D.C. Anderson’s voice possesses its usual tender exuberance. On this, following a dozen plus albums over a period of thirty years, nature has gifted it a resonant maturity – willing to go wherever the story takes it.
David Robison is at the piano. If you’ve seen him play, he appears to become a piano’s playful and necessary appendage. He is masterful here.
D.C.’s musical collaborator in years past, Lem Jay Ignacio, returns (along with son, Lemy) for Cole Porter’s ‘You Do Something to Me’. In the context of ‘sharing the night with darkness’, it might be considered the musical equivalent of a ‘dream sequence’.
Luke Wygodny (of the tremendous folk group THE HEARTSTRINGS PROJECT) composed two, and adds acoustic guitar to three, tracks. Audrey Q. Snyder adds her delicious cello to a few songs as well.
Songwriters collaborating with or covered by D.C. here are veteran tunesmiths Robert Sprayberry, Michele Brourman, Bryce Kulak, Steven Landau, Harry Chapin, Teresa Tudury, Luke Wygodny, Andrew Ratshin, Dick Gibbons and Bob Dylan.
Spend an afternoon with ‘sharing the night with darkness’ and discover why Stephen Mosher, of Broadway World described D.C.‘s voice (reviewing his 2022 LML MUSIC release HOUSE CONCERT) as ‘lovely, emotionally invested, articulate’ and D.C. in performance as ‘tender, theatrical and visceral’ with a ‘fine focus on the art of storytelling.’!
Posted at 8:57 am by Lee Lessack
The album your about to hear is a combination of genre. A multitude of style of singing. Having always had an eclectic taste of music, ranging, Neo Classical, Electro House, Pop-Opera to Scandi-Nordic Noir, as well as the likes of Cirque du Soleil, & Eurovision!! Having always been fascinated with the voice and how as a musical theatre Actor, working in the West End & all over the world, I have played Pop Rock, Classic Musical Theatre and even Opera. But it is my love of the counter tenor sound which has enthralled me the most.
So it is with “KOPFKINO” Which I have both recorded & edited in Lock down over the past 4 months of 2020, that I decided on the set list for this Album, fusing different vocal aspects with my fav styles. I do hope you enjoy.
Posted at 8:38 am by Lee Lessack
Mix the truthfulness of Johnny Cash and the pure tones of Nat King Cole in a shaker and pour yourself a strong cocktail of Michael Winters, straight up. Winters has accomplished in only one year what most singers aspire to achieve in a decade. From karaoke crooner to major contender in the vast pool of professional recording artists, Winters’ story, culminating in this recording, should inspire anybody who has a creative dream.
In 1989 I was seated at a dinner party next to superstar Al Jarreau. Our host was playing a bootleg recording of the soon-to-be Voice of the Hour, Harry Connick, Jr. Jarreau, amused by our host’s delight in sharing this music, turned to me and said, “It’s so cool to find a new sound.” I agree. Now you have the opportunity to enjoy that experience, because Michael Winters is that new sound.
